Art on Ice 2018 – das Original!
Wie passt das alles zusammen? Im Thema Kunst hat alles Platz. Das Leben und Schaffen des Kunstfälschers Wolfgang Beltracchi bildet die Story der diesjährigen Eisrevue. Die eigens von Beltracchi gemalten Bühnenbilder bilden einen passenden Rahmen. Jetzt braucht es noch die perfekten Künstler. Auf dem Eis: Aljona Savchenko und Bruno Massot, die frischgekürten Goldmedaillengewinner von Pyeongchang, die mit ihrer Weltrekordkür Furore machten, sowie die Eislauflegende Evgeni Pluschenko und Publikumsliebling Stéphane Lambiel. Auf der Bühne: Die weltweit populäre Sängerin Emeli Sandé, die schweizweit erfolgreichste Popband Pegasus, die Wonderwoman am Cello Tina Guo sowie die junge, talentierte Sopranistin Laura Bretan.
Continue reading “⭐️⭐️⭐️⭐️ Meisterfälscher, Olympiasieger und Emeli Sandé”
Interview with Birgit Deharde, a freelance Choreologist and expert in Benesh Movement Notation
Why do we need Movement Notation?
Similar to music, dance needs to be written down, but unlike music, dance is a fleeting art. It has taken until the 20th century to find a tool to record dance notations and preserve these choreographies. It was Rudolf Benesh who created a tool for human movement notations in 1955 and defined choreology as “The aesthetic and scientific study of all forms of human movement by movement notation”.
Continue reading “How do you write down a dance?”
Congratulations to Merritt Moore for Making FORBES „30 under30“
WOW! What an achievement. Not only has Merritt Moore made it onto the Forbes list this year, but she is also the one and only active ballerina with a PhD in quantum physics from Oxford University!
Merritt shared her secrets as a physicist on pointe – “I really do think it’s made me a better dancer to have done physics and a better physicist to have done dance. You need the creative brain in the lab to think of new ideas, and you need the analytic brain in the dance studio to figure out your center of mass.”
I was lucky to get an interview with her. So enjoy these five questions for the Quantum Ballerina!
Continue reading “The Quantum Ballerina”
A Sydney Dance Company Rehearsal
I was lucky to watch a rehearsal at Sydney Dance Company, one of the world‘s strongest forces in contemporary dance. It was the first run after the summer break, prior to starting their tour to South America.
I immediately noticed the amazing diversity of dancers. One young, tall, lean dancer in particular caught my attention during the warm up, doing such incredible stretches it seemed he had no bones at all.
Continue reading “Contemporary Dance at it‘s best!”
Did you know that the NUTCRACKER Ballet is a money making machine for ballet companies?
I just read an article in The Economist which stated that this ballet can generate up to 45% of a ballet company’s annual revenue in America. That’s why you can see at least one version in every state. It’s a tradition for families to come together and attend a performance of this famous Christmas ballet. Often, children from ballet schools are involved, dancing in the roles of small mice or toy soldiers. Magic happens when the beautiful music of the Waltz of Flowers starts.
Continue reading “Nutcracker – a cash cow!”
NUSSKNACKER UND MAUSEKÖNIG am Bolschoi Theater
Ballettdirektor Christian Spuck und sein Ballett Zürich können auf ein äusserst erfolgreiches Jahr zurückblicken. Das absolute Highlight 2017 war die Neuproduktion des Nussknackers. Unter dem Titel NUSSKNACKER UND MAUSEKÖNIG revolutionierte Christian Spuck das berühmte Weihnachtsballett radikal. 17 ausverkaufte Vorstellungen wurden am Opernhaus Zürich bejubelt. Auch am renommierten Moskauer Bolschoi Theater löste der neue Nussknacker an zwei ausverkauften Abenden Begeisterungsstürme aus.
Continue reading “Christian Spuck weiterhin auf Erfolgskurs”
are without question Li Cunxin and Dominik Slavkovský.
Li Cunxin with Queensland Ballet photo by David Kelly
Magic happened when Ballet Star Li Cunxin, was lured out of 18 years retirement for a special performance of the NUTCRACKER with the Queensland Ballet. Taking to the stage in Brisbane for one night only, the 56 year old dancer delivered a mesmerizing performance. While Drosselmeyer is predominately a character role, Li incorporated his own choreography – adding pirouettes and jumps to the performance. His twists and turns hinted at his past brilliance.
Li’s life story became known around the world after the book and film, Mao’s Last Dancer, told how he danced his way out of grinding poverty in China and ultimately ending into an international ballet career.
Dominik Slokovský with Ballet Zurich photo by Gregory Batardon
On the other side of the world, at the Opernhaus Zurich, the young Slovikian dancer Dominik Slavkovský also took the role of Drosselmeyer to new heights. Ballet director Christian Spuck‘s fresh new choreography NUTCRACKER AND MOUSE KING allowed him to create a enigmatic character that captivated the audience as never before.
With his long lanky body and twisting fingers, the mysterious toymaker became a dark, dramatic and quite simply haunting character that guides us through the story.
Li Cunxin: David Kelly
Dominik Slavkovský: Gian Paul Lozza and Gregory Batardon