News of Sydney Dance Company: Interview and Tour dates
Don’t miss the European Spring Tour 2018
See the terrific triple bill of Rafael Bonachela’s Lux Tenebris, Cheng Tsung-lung’s Full Moon and Gabrielle Nankivell’s Wildebeest at Théâtre National de la Danse Chaillot, Paris, at the Belgrade Dance Festival in Serbia, at Cankarjev Dom Cultural and Congress Centre in Ljubljana, Slovenia, and in Germany at the Movimentos Festival, Wolfsburg.
Continue reading “A unique experience for each person”
Interview with Birgit Deharde, a freelance Choreologist and expert in Benesh Movement Notation
Why do we need Movement Notation?
Similar to music, dance needs to be written down, but unlike music, dance is a fleeting art. It has taken until the 20th century to find a tool to record dance notations and preserve these choreographies. It was Rudolf Benesh who created a tool for human movement notations in 1955 and defined choreology as “The aesthetic and scientific study of all forms of human movement by movement notation”.
Continue reading “How do you write down a dance?”
are without question Li Cunxin and Dominik Slavkovský.
Li Cunxin with Queensland Ballet photo by David Kelly
Magic happened when Ballet Star Li Cunxin, was lured out of 18 years retirement for a special performance of the NUTCRACKER with the Queensland Ballet. Taking to the stage in Brisbane for one night only, the 56 year old dancer delivered a mesmerizing performance. While Drosselmeyer is predominately a character role, Li incorporated his own choreography – adding pirouettes and jumps to the performance. His twists and turns hinted at his past brilliance.
Li’s life story became known around the world after the book and film, Mao’s Last Dancer, told how he danced his way out of grinding poverty in China and ultimately ending into an international ballet career.
Dominik Slokovský with Ballet Zurich photo by Gregory Batardon
On the other side of the world, at the Opernhaus Zurich, the young Slovikian dancer Dominik Slavkovský also took the role of Drosselmeyer to new heights. Ballet director Christian Spuck‘s fresh new choreography NUTCRACKER AND MOUSE KING allowed him to create a enigmatic character that captivated the audience as never before.
With his long lanky body and twisting fingers, the mysterious toymaker became a dark, dramatic and quite simply haunting character that guides us through the story.
Li Cunxin: David Kelly
Dominik Slavkovský: Gian Paul Lozza and Gregory Batardon
“Anna Karenina” as a Ballet by 5 Famous Choreographers
Most people have heard of the movie “Anna Karenina”, starring Keira Knightley as the lead role, directed by Joe Wright and adapted by Tom Stoppard. Based on a novel by Leo Tolstoy, “Anne Karenina” is very popular in the ballet world right now. I have the feeling that every year brings a new interpretation of Tolstoy’s touching drama, all of which are different but all worth watching. Enjoy the trailers!
Please tell me which one you liked the most!
Continue reading “Love or Desire?”
Interview with Artistic Director Rafael Bonachela, Sydney Dance Company by Evi Hock, creator of ballettloversblog.com
Sydney Dance Company is coming to STEPS DANCE FESTIVAL in Switzerland
When I lived in Sydney I was very lucky to attend some performances of Sydney Dance Company. I loved these very innovative productions that combine contemporary dance, pop culture, fashion, visual and video arts. I will never forget “6 Breaths”, “we unfold”, “Mercury”, “Louder than words”. I can’t wait to see “Interplay” in Zürich.
Rafael Bonachela. Photo by Ben Symons
Continue reading “Life itself inspires all my work”