What is your favorite dance movie?
Dance Movies are always fun. Thinking of my favorite ones it is very difficult to say which I like the most. There are so many kinds of Dance Movies around, from the classical masterpiece with Gene Kelly „Singing in the Rain“, some sweet 80s dance movies like „Flashdance“, to the more modern street dancing movies like the Step up street dance battle.
Weiterlesen „TOP 15 Greatest Dance Movies“
The secret inside of pointe shoes
No, they are not made out of wood, and there is no steel in the flat tip! The tip is made of densely packed layers of fabric, cardboard and/or paper hardened by glue. Being extremely sturdy makes it possible to balance the entire weight of the ballerina’s body on a small platform. The rest of the shoe consist of materials such as leather, cotton and satin. The right and the left shoe are identical.
Weiterlesen „How pointe shoes are made“
Zauberhafte Meisterleitungen der Artisten
Cirque de Soleil ist kein normaler Zirkus. Die Show TOTEM nimmt uns Zuschauer mit auf eine Fantasiereise durch die Geschichte der Evolution und lässt uns den Alltag für gut zwei Stunden vergessen.
Heute ist Premiere im Hardturm Areal Zürich. In 48 Vorstellungen – bis zum 14. Oktober -präsentieren 46 Weltklasse-Artisten eine Show der Superlative.
Weitere Infos https://www.cirquedusoleil.com/Totem Weiterlesen „Behind the scenes im CIRQUE DE SOLEIL“
When to clap at a ballet performance
It‘s tricky to figure out the right time to clap at a ballet. First-time goers are often concerned about embarrassing themselves by being the only one to clap. While you would never consider clapping in the middle of a symphony, at a ballet it is completey acceptable to clap throughout the performance to show your excitement and encourage the ballet dancers. Ballet ettiquette is also dependant on culture. For example, at the Bolchoi Theatre, it‘s a tradition to clap long, loudly and wildly.
News of Sydney Dance Company: Interview and Tour dates
Don’t miss the European Spring Tour 2018
See the terrific triple bill of Rafael Bonachela’s Lux Tenebris, Cheng Tsung-lung’s Full Moon and Gabrielle Nankivell’s Wildebeest at Théâtre National de la Danse Chaillot, Paris, at the Belgrade Dance Festival in Serbia, at Cankarjev Dom Cultural and Congress Centre in Ljubljana, Slovenia, and in Germany at the Movimentos Festival, Wolfsburg.
Weiterlesen „A unique experience for each person“
Congratulations to Merritt Moore for Making FORBES „30 under30“
WOW! What an achievement. Not only has Merritt Moore made it onto the Forbes list this year, but she is also the one and only active ballerina with a PhD in quantum physics from Oxford University!
Merritt shared her secrets as a physicist on pointe – “I really do think it’s made me a better dancer to have done physics and a better physicist to have done dance. You need the creative brain in the lab to think of new ideas, and you need the analytic brain in the dance studio to figure out your center of mass.”
I was lucky to get an interview with her. So enjoy these five questions for the Quantum Ballerina!
Weiterlesen „The Quantum Ballerina“
are without question Li Cunxin and Dominik Slavkovský.
Li Cunxin with Queensland Ballet photo by David Kelly
Magic happened when Ballet Star Li Cunxin, was lured out of 18 years retirement for a special performance of the NUTCRACKER with the Queensland Ballet. Taking to the stage in Brisbane for one night only, the 56 year old dancer delivered a mesmerizing performance. While Drosselmeyer is predominately a character role, Li incorporated his own choreography – adding pirouettes and jumps to the performance. His twists and turns hinted at his past brilliance.
Li’s life story became known around the world after the book and film, Mao’s Last Dancer, told how he danced his way out of grinding poverty in China and ultimately ending into an international ballet career.
Dominik Slokovský with Ballet Zurich photo by Gregory Batardon
On the other side of the world, at the Opernhaus Zurich, the young Slovikian dancer Dominik Slavkovský also took the role of Drosselmeyer to new heights. Ballet director Christian Spuck‘s fresh new choreography NUTCRACKER AND MOUSE KING allowed him to create a enigmatic character that captivated the audience as never before.
With his long lanky body and twisting fingers, the mysterious toymaker became a dark, dramatic and quite simply haunting character that guides us through the story.
Li Cunxin: David Kelly
Dominik Slavkovský: Gian Paul Lozza and Gregory Batardon