Cie. La Ronde jetzt am Tanzfestival STEPS

Unbedingt anschauen: «8»
4 Voices. 1 Vision. 8 Stories. 1 Desire.

Was für eine grandiose Vorstellung gestern in der Lokremise in St.Gallen? Die Tanzkompagnie Cie. La Ronde wurde 2020 in der Schweiz von Cathy Marston und Ihsan Rustem gegründet und präsentiert jetzt auf dem Tanzfestival STEPS ihr erstes Stück mit dem Namen «8».

Fantastisch getanzt und aussergewöhnlich interpretiert zeigen die 8 Tänzerinnen und Tänzer moderne Zweierbeziehungen mit all ihren Spannungen und Konflikten. Es geht um Begierde, Leidenschaft, Verführung, Eifersucht und auch wahre Liebe. Und natürlich auch um Sex, Macht und starke Gefühle. Ein wahres choreografisches Meisterwerk!

Das Besondere daran ist, dass 4 Choreografinnen und Choreografen – 4 voices – Cathy Marston, Ihsan Rustem, Caroline Finn and Luca Signoretti – dieses ungewöhnliche Stück -1 vision- gemeinsam in 8 Duetten einzigartig kreierten.

STEPS 2022 – La Ronde – Winterthur, 05.04.2022 © Caroline Minjolle

Mehr will ich gar nicht verraten. Schaut Euch die beiden Videos an.

STEPS Dance Festival 2022
06.05.2022: Phönix Theater, Steckborn 
07.05.2022: Luzerner Theater, Luzern
13.05.2022: Stadttheater, Langenthal 
15.05.2022: Dampfzentrale, Bern 
18.05.2022: Bühne, Aarau 
21.05.2022: Cinema Teatro, Chiasso

https://www.steps.ch/programme/cie-la-ronde.html

Interview und Probeneinblicke

Ich hatte die einmalige Gelegenheit, eine Probe im Theater Winterthur bereits im März 2022 zu sehen und ein Interview mit Cathy Marston und Ihsan Rustem zu führen (im Anhang).

STEPS 2022 – La Ronde – Winterthur, 05.04.2022 © Caroline Minjolle
STEPS 2022 – La Ronde – Winterthur, 05.04.2022 © Caroline Minjolle

Interview with choreographers Cathy Marston and Ihsan Rustem

Cathy Marston and Ihsan Rustem, you founded a new dance company based in Switzerland in 2020. Tell us more about the company and about the challenges you faced in this time of pandemic. 

We are both choreographers who usually work internationally, often flying between Europe and the US for example. When we were suddenly ‘grounded’ with the travel restrictions neither of us could stand ’twiddling our thumbs’ and watching Netflix all day. We had to find an outlet for our creativity, and so connected with the idea of making a project together. One of our early decisions was to invite 2 other choreographers to join us on this initial project – Caroline Finn and Luca Signoretti, and to decide that this was going to be a company and project that would give us the opportunity to work in new ways, pushing our natural collaborative spirit even more than in our ‘usual’ work, and that it would be an all-Swiss based team. We wanted to work closely with one another, sharing our individual processes, assisting one another in the studio. We’ve managed to do these things – and it really is a refreshing and inspiring change from the life of a ’single’ choreographer on the road! 

© Gregory Batardon 

In terms of the pandemic, there have been the obvious logistical challenges of meeting and talking mostly by zoom. But, this has enabled our ’Swiss-wide’ team vision to function without problems in a way. Out composer, Nicolas Rabaeus, is based in Geneva, set and costumes designers in Bern, light designer in Lausanne, and our company managers are in Bern and the country-side of East Switzerland. The quartet of choreographers are also spread out, between Luzern, Bern and Zurich.

Other Covid challenges have come in the studio, working on a ‘character based’ choreography in masks. This was frustrating for obvious reasons, but as a freelance company, every missed rehearsal would have a huge impact on our budget, so in addition to health and safety reasons, we needed to do everything we could to avoid infections and canceled rehearsals. We are yet to face the challenges of the tour, but as a group will be committed to working as safely as we can. 

© Gregory Batardon 

How many dancers are Swiss? Most of them are ‚Swiss-based‘ artists of the world, with international reputations and individual pathways. Please tell us more about the dancers.

All are Swiss based. Some are Swiss-trained dancers, and almost half are Swiss by nationality. Cathy has also become ’Swiss’ in recent years and Ihsan is in the process of the ‘Einbürgerung’ (naturalisation).

«8» is the first production by Cie. La Ronde. 4 Voices. 1 Vision. 8 Stories. 1 Desire. What is the story behind this? What is the specialty of that piece, and what part did the 4 choreographers play in its production?

We were initially looking for a structure in which all four choreographers could create their own sections of a ’shared’ single work. Cathy recalled the play ‘La Ronde’ which had been on her ‘ideas to develop’ list for some years. Initially she suggested using the structure – a succession of duets that are linked together like a chain. But when she explained the narrative of Schnitzler’s original play, as well as its metaphor for the syphilis pandemic of the late 19th century, we felt that actually we really wanted to tackle the narrative itself, and make our own adaptation for contemporary times. 

We spent much time together in the early days developing the concept and structure of the creation and decided to work with 8 scenes that would be inter-connected as they are in the play. There would be 8 dancers, and each choreographer would create two duets or ’scenes’. We would collaborate as a ‘quartet’ to create the connections between the duets. In addition, each choreographer acted as choreographic assistant to 2 others scenes, and as we come to final rehearsals now, we are all helping one another to finesse the details of every moment. The piece feels so shared that we have actually decided not to list ‘who choreographed what’ in the program but rather only on our company website – so people can find out if they really wish, but won’t be distracted by this information when watching the entire work. It’s one piece, by all of us. 

© Gregory Batardon 

4 choreographer means 4 different dance styles and 4 different styles of artistic expression. Tell us how that can come together? What is the style of each choreographer like?

Each choreographer has a different ‘method’ and this was very interesting to share. Some came with images to the first rehearsals to use as inspiration and to provoke movement. Others brought lists of words. Some make phrases to begin the work with the dancers, others start with improvisation. We were all committed to creating ‘characters’ and small ’scenes’ that tell very miniature stories. We also all worked with one composer, one set designer and one costume designer, who were each asked to help bring our different styles into ‚one‘ piece. These collaborations involved more discussion than usual when there is only a single choreographer perhaps, but in having the conversations we had with these other team members, our ideas became more aligned. 

Ultimately, the styles of each choreographer have been challenged in this working process and are perhaps less distinct than when they are creating entirely alone. But we have been happy to be influenced by one another and the dancers,  and to allow ourselves to break pattens and habits, and take new risks. 

© Gregory Batardon 

Your very first performance will be at the Stadttheater Winterthur on 7th April. Afterwards you are part of the STEPS Dance festival and will tour in Switzerland. Tell us about these challenges. How do you attract people to come and see your performance? What sets your performance apart from the rest of STEPS?

We feel very fortunate that, right from the beginning, both Isabella Spirig from Steps and Thomas Guglielmetti from Theater Winterthur understood our vision, and supported Cie. La Ronde by coming on board as Co-Producers. This was an incredible ‚kick start‘, for the company and set the ball in motion, as we suddenly had performance dates and a goal to work towards!

Our model of collaborative working is unusual and perhaps even unique. We hope that it will intrigue people to come see the show. Each choreographer has created in Switzerland before – Cathy directed the Bern Ballett and will direct Ballett Zurich from August 2023. She also created works for the ensemble of Theater St Gallen, Ballet Junior de Geneve and Ballett Basel in the past. Ihsan has made works for Konzert Theater Bern, Theater St Gallen and Luzerner Theater – and danced in both the ensembles of Bern and Luzern. Caroline has created several works for Tanz Luzerner Theater and is currently working with Buehnen Bern. Luca danced in Tanz Luzerner Theater (with Ihsan)and has created for them, as well as on the free-scene. All of us get involved in the Swiss Dance scene in different ways from teaching in places like Tanzwerk 101, ZHDK and other places, to working with the Prix de Lausanne as jury members and choreographers. We hope this wide network will join us in our new adventure!  Also, our ensemble of dancers is a very exciting and diverse mix of artists – some from institutions like Ballett Basel or Buehnen Bern, others from the free-scene. Some have a training primarily in contemporary, others ballet, others street dance. Hopefully this team will bring different sectors of the audience to watch the work we’ve made together! 

© Gregory Batardon 

All about the choreographers

Cathy Marston
Artistic Director/ Choreographer

British-born Cathy Marston received her dance training in Cambridge and at the Royal Ballet School London and subsequently danced with the Zurich Ballet, the Lucerne Theatre Ballet and the Ballet Bern. She was Associate Artist at the Royal Opera House London for four years before joining the Konzert Theater Bern as Ballet Director in 2007, where she remained until 2013. At the same time, she founded  The Cathy Marston Project and created countless dance productions as an internationally acclaimed choreographer, including for The Royal Ballet, American Ballet Theatre, Joffrey Ballet and Les Grands Ballets Canadiens de Montréal. In 2019 and 2021, Cathy Marston won the UK National Dance Award for The Suit (Ballet Black) / The Cellist (The Royal Ballet) and in 2020 received the prestigious South Bank Sky Arts Award for her production of Victoria with Northern Ballet. In the same year she was awarded the Outstanding Achievement Award by the International Institute of Dance and Theatre. From the 2023/24 season she will be the new Ballet Director and Chief Choreographer of Ballet Zurich.

“She has let the drama bleed through the dance.” Telegraph

Passionate about opening original ideas to new audiences, Cathy crafts unexpected matches between classical and contemporary art forms, for example, commissioning a new score for soprano voice and female beat-boxer by Dave Maric, or commissioning composer, Gabriel Prokofiev, to write for orchestra and DJ for her full-length ballet, Ein Winternachtstraum.

Cathy’s proudest moments include major creations for The Royal Ballet, San Francisco Ballet, Northern Ballet, Danish Royal Ballet (and many more) founding her company, The Cathy Marston Project as well as leading the Bern Ballet safely away from the brink of closure to become a flourishing and celebrated ensemble.

Ihsan Rustem
Artistic Director/ Choreographer

Choreographer Ihsan Rustem was born in London, where he trained at the Rambert School of Ballet and Contemporary Dance.

​Ihsan is the Resident Choreographer for the NW Dance Project in Portland, Oregon USA, where he has created nine works the company. Further collaborations include the Nederlands Dans Theater 2, Les Ballets Jazz de Montréal, Ballet Moscow. National Ballet of Chile, Hubbard Street Dance Chicago 2, Istanbul State Ballet MDT, Tanz Luzerner Theater, Tanzcompagnie Konzert Theater Bern, Whim W’Him Seattle, Ballett Augsburg, Tanzcompanie Theater St Gallen, Thüringer Staatsballett, Staatstheater Braunschweig Tanztheater, Kazan State Opera and Ballet, Koblenz Ballet, Ballet Regensburg, Würzburg Ballet, Siberian State Ballet,  Salt Contemporary Dance USA, Arts Umbrella Dance Company Vancouver, National Youth Dance Company, Palucca Hochschule Dresden, The Rambert School, Codarts and ZHdK. He was a featured choreographer for Russia’s popular TV show ‚The Bolshoi Ballet‘.

Nederlands Dans Theater named Ihsan as one of their Up & Coming Choreographers for the 2018/19 season. In 2021, he joined the Jury of the prestigious Prix de Lausanne.

​His work for the NW Dance Project has been recognised with numerous accolades. State of Matter won the 2012 Sadler’s Wells Global Dance Contest as well as the Public Prize at the 25th International Competition for Choreographers Hannover, and Carmen received Dance Magazine’s 2017 Readers‘ Choice Award for Best Collaboration. Rustem was also the 2014 recipient of Hubbard Street Dance Chicago’s International Commissioning Project.

From 2000-2014 Ihsan Rustem was a dancer with the Ballet Theater Munich, Introdans, Bern Ballet, Tanz Luzerner Theater and Adventures in Motion Pictures. He originated roles in creations by Wayne McGregor, Hofesh Shechter, Alexander Ekman, Matthew Bourne, Stijn Celis, Patrick Delcroix, Cayetano Soto, Felix Landerer, Cathy Marston and worked with choreographers Mats Ek, Jiri Kylián, Paul Lightfoot / Sol Leon, Hans van Manen and William Forsythe, amongst others.

He is the former Artistic Director of the Dance Art Studio Ballettschule Luzern.

​Ihsan lives in Zurich, Switzerland.

Caroline Finn
Choreographer

A native of England, Caroline Finn received her training at the Arts Educational School and the Juilliard School in New York. From 2015-18 she was Artistic Director of National Dance Company Wales, and subsequently their resident/house choreographer until 2021. For her work Folk, she was awarded Best Female Artist at the Wales Theatre Awards. As a dancer, she has been part of BallettTheater München, Ballet Preljocaj, and the Carolyn Carlson Company. As a freelance choreographer she has developed works for Chilean National Ballet, Tanz Luzerner Theater, Phoenix Dance Theatre, Bavarian Junior Ballet Munich and VERVE, as well as choreographing for several Opera productions. Her solo work „Bernadette“ has been invited to dance festivals all over the world. In 2010 Caroline Finn won the Copenhagen International Choreography Competition production award and in 2014 the Matthew Bourne New Adventures Choreographer Award. As an educator, lecturer and choreographer, she teaches at various conservatories and universities worldwide. Caroline is co-artistic director of the new choreographic development platform BRÜCKEREI and is a member of Tanzendenz München e.V. She lives and works in Zurich.

Luca Signoretti
Choreographer

Luca Signoretti was born in Pesaro (I) and began his dance training in his hometown before becoming a member of the Ballet Junior de Genéve in 2006. In 2009 he moved to Lucerne and was engaged as a dancer with Tanz Luzerner Theater. After his active dance career, he turned to choreographing. In 2013 Signoretti was a finalist in the 27th edition of the international choreography competition in Hanover and three years later won the Pretty Creatives prize at the NW Dance Project competition in Oregon, USA. Further awards followed: at the 11th edition of the prestigious choreography competition in Copenhagen he reached second place and received the production prize. In 2019, he was a semi-finalist at the Rotterdam International Duets Choreography Competition(RIDCC). His first dance short film was nominated for the Student Academy Awards 2020 in Hollywood. Luca Signoretti is a successful graduate of the Master’s programme in Choreography at the ZHdK and the artistic director of the new platform „Choreographers in Residence“. He also teaches regularly at Tanzwerk101 and at the ZHdK.

The Luca Signoretti Dance Company is touring Switzerland with Tanzfaktor 2022, organised by RESO.

See Header Image © Caroline Minjolle

Autor: ballettlovers

I danced ballet as child, albeit with little success. Despite this, my passion for ballet and dance has carried into adulthood. I still love to watch ballet performances and would love to share my passion with you.

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